How We Print the Hundred Dollar Cube

This post helps cube drafters understand how we print the Hundred Dollar Cube so your cube night feels like Magic, not like a craft project that got out of hand.

The problem we’re solving (besides “cards cost money”)

Cube is brutal.

Not emotionally (though sometimes you do first-pick a card and immediately regret it, so sure, emotionally too). Cube is brutal because you handle the cards constantly. Draft, shuffle, pile, shuffle again, pile again, someone riffle shuffles like they’re trying to start a fire.

If your cards are:

  • too thin,
  • too glossy,
  • cut slightly off,
  • or inconsistent from card to card…

…cube will expose it within one night. Commander decks can hide a lot inside 99 sleeves. Cube does not.

So our goal is simple: make the Hundred Dollar Cube feel like real MTG cards in sleeves, with printing and finishing that holds up to repeated handling.

What “same quality as PrintMTG” actually means

When we say HundredDollarCube.com uses the same quality as PrintMTG, we mean we’re using the same play-feel checklist:

The “MTG-like” checklist (the stuff you notice immediately)

  1. Size and corners: cards should sleeve cleanly, fan evenly, and not “catch.”
  2. Stiffness and thickness: the deck should shuffle without feeling like paper slips.
  3. Opacity: backs shouldn’t show through under normal handling.
  4. Surface finish: smooth enough to shuffle, tough enough to resist scuffs.
  5. Consistency: the whole cube should feel like it came from one universe.

If you want the short version: we’re trying to avoid “homework vibes.”

Pillar 1: Cardstock (aka “the foundation, not the vibes”)

We print the Hundred Dollar Cube on premium playing-card stock, with a black-core layer.

Why black-core matters

Black core is basically a light-blocking layer sandwiched inside the stock. The point is opacity, so light doesn’t pass through and reveal the back art or text under normal play.

If you’ve ever held a cheap card up to a bright light and suddenly learned a little too much about what’s on the other side, you already understand why this matters.

Why playing-card stock matters for cube

Cube isn’t gentle. You want stock that:

  • stays firm in sleeves,
  • doesn’t feel “papery” when shuffled,
  • and doesn’t turn into a warped Pringle after some handling.

We’re targeting that familiar trading card stiffness and snap, not “I printed this on the office printer and cut it with scissors” energy.

Pillar 2: Printing (sharp text, stable color, no surprises)

A proxy can look fine from across the table and still fail the cube test when you actually play with it. The main offenders are:

  • fuzzy rules text,
  • muddy blacks,
  • and inconsistent color from card to card.

So our printing workflow is built around clarity and consistency.

Image prep: the part nobody sees, but everyone benefits from

A lot of proxy problems start before a single sheet gets printed. Source images vary wildly in:

  • resolution,
  • brightness,
  • contrast,
  • saturation,
  • and “this looks fine on my phone” optimism.

So we run every card through a prep process that’s focused on print-readiness:

  • Resolution cleanup so details don’t turn crunchy.
  • Frame and text clarity so the card reads fast during a draft.
  • Color balancing so the cube doesn’t look like it was printed by five different people on five different printers across five different timelines.

Is it glamorous? No. Does it stop your cube from looking like a mismatched binder page? Yes.

Double-sided printing: alignment matters more than you’d think

A bunch of our cube products are double-sided, which is awesome for value and variety, and also means you need to care about front-to-back alignment.

If front and back registration drifts, you can end up with:

  • edges that feel uneven in sleeves,
  • corners that look “off,”
  • or borders that aren’t centered.

So we treat front/back alignment as a first-class quality target, not an afterthought.

Pillar 3: Finish (satin UV coat, because cube cards get handled)

We apply a UV-cured coating (satin style). The practical reasons:

  • Durability: a cured coating forms a hard protective layer that can improve resistance to scuffing and rubbing.
  • Handling: satin hits a sweet spot where the card feels smooth in sleeves without being a glare monster under overhead lights.
  • Consistency: a uniform finish helps the whole cube feel coherent, not like a mix of different paper types.

This is the part where cards stop feeling like “printed paper” and start feeling like “cards.”

Pillar 4: Cutting (rotary die cut + consistent corner rounding)

Here’s a painful truth: you can have perfect printing and still hate your proxies if the cutting is sloppy.

Your hands notice:

  • a slightly tall card,
  • a slightly different corner radius,
  • or a rough edge that catches in a sleeve.

And cube makes those problems louder, because you’re shuffling constantly.

Why rotary die cutting

Rotary die cutting uses a cylindrical die that repeats the same cut profile again and again. The point is repeatability:

  • consistent trim size,
  • consistent corners,
  • consistent edges.

In human terms: your cube feels like one product, not 540 individual craft projects.

Corner rounding: the tiny detail that matters every shuffle

We round corners to match the familiar MTG-style look and feel, because sharp corners and inconsistent radii are basically sleeve-snags waiting to happen.

Also it just looks right. Magic cards have a very specific silhouette. Your cube should too.

Quality control: boring, necessary, and secretly the whole point

We do QC checks because the cube experience depends on the cube being consistent.

Here’s what we’re watching for:

  • Cut accuracy: consistent size, clean edges, correct corner radius
  • Print clarity: readable text, crisp symbols, no “foggy” fine detail
  • Color consistency: fewer outliers that look darker/lighter than the rest
  • Front/back alignment: especially important for double-sided cards
  • Finish consistency: uniform coating, no weird texture changes across a stack

If you’ve ever played with a deck where one card feels slightly thicker and your brain goes “marked,” you already understand why we care.

Why this matters more for cube than almost anything else

A single proxy deck can get away with a lot, because:

  • you shuffle less often,
  • you handle fewer total cards,
  • and the deck is usually one cohesive print run.

Cube is a high-handling environment with a huge card count. It magnifies tiny inconsistencies.

So if you want a cube that feels good, you don’t start with “cool list.” You start with:

  • stock,
  • finish,
  • and cutting consistency.

Then the cool list can actually shine.

FAQs

Do the Hundred Dollar Cube cards feel like real MTG cards?

In sleeves, they’re designed to feel “right”: consistent size, consistent corners, good stiffness, and a smooth finish that shuffles cleanly.

Are the cubes really double-sided?

Yes. Many of the Hundred Dollar Cube products are double-sided, which is how we pack a lot of value and variety into one cube. It also means we take front/back alignment seriously.

Will the colors match official Magic cards exactly?

They’re designed to look clean and consistent, but exact one-to-one matching across every historical print run of Magic is its own weird rabbit hole. The goal here is a cohesive cube that looks great and plays great, not chasing every micro-variation Wizards has ever printed.

Why UV coating instead of leaving the cards uncoated?

Because cube cards get handled a lot. A UV-cured coating can improve resistance to rubbing and scuffing, and it helps the cards feel more like real trading cards instead of raw printed paper.

What sleeves work best for the cube?

Most standard MTG sleeves work great. The bigger factor is sleeve cleanliness and consistency. Dirty sleeves are basically sandpaper with branding.